November 04, 2009

TRIO: Cascadia Wild 2

DUO: Cascadia Wild 1

November 03, 2009

TRIO: Dahlia Show 2

November 02, 2009

TRIO: Dahlia Show 1

November 01, 2009

DUO: Japanese Garden 3

October 27, 2009

Comment on DUO: Japanese Garden 2

I have two versions of this work. The version on the blog now is the 2nd. In the 1st version the images never quite line up. They are always moving away or toward each other. This makes for very taxing viewing. When I watched the 1st version all the way through I found it too long.

After watching the 2nd version (the end came sooner than I expected) I realized that the traveling in and out of sync was much more engaging. I feel this variation gives the work more form and causes it to live more dynamically in the time it takes to transpire. In Ten on Ten his master class documentary on the making of the film TEN, Kiarostami talks of the importance of challenging the audience comfort zone. He also tells of his efforts to not "tax" the viewer unnecessarily. I appreciate his concern.

The work of Stan Brakhage is unquestionably masterful in its ability to challenge viewer comfort zones and thereby deepen the viewing experience. In my mind Brakhage's films (especially the earlier work) can be unquestionably taxing to view. At the time of their creation these works' frenetic, flickering, constantly changing character was a vital contribution to the deconstruction of traditional attitudes about film.

Although I understand the exhaustion I feel after an evening of viewing Brakhage's painted film works is an important aspect of the works themselves, I am of the mind that the appropriateness of this response is historical. In the films' time this response served a purpose and I appreciate it for that fact - it physically changed the way viewers saw film. I find in some of Brakhage's later work more meditative, contemplative tones akin to those found in Kiarostami's film FIVE. I find the later works of Brakhage and the current films of Kiarostami offer vitally important responses to cultural norms that perpetuate disconnect, superficiality, structural violence, distraction, and the demise of civility.

These are cultural norms whose validity, I believe, deserves to be challenged. It is my intent that my video works embody that challenge.

DUO: Japanese Garden 2

October 22, 2009

DUO:Japanese Garden 1

From a recent trip to PDX Japanese garden. 2 layers composited (DUO). Initially there were artifacts that looked like over saturation when I adjusted the opacity of the frames. Not sure why it happened. I then adjusted the brightness and HLS settings a bit to highlight this result.

October 13, 2009

TRIO: Reflecting Waldo

Waldo Lake is a lonely place. Beautiful, but lonely. No fish, no raptors. Just deep sad blue below and merciless brilliant blue above. Surrounded by the hulking dark green or ghostly skeletal gray press of pines, spruce, cedar.

October 07, 2009

TRIO: Swim Out

Summer, north point, Cayuga Lake. My boys and Rob.

October 04, 2009

DUO: Driveway, autumn

Here is the first in a series of short videos pulled from material I gathered over the last several months using my point and click camera and cell phone camera.

November 09, 2008

Repairing What is Broken (video)

Below is an inferior embedded YouTube version, no stereo sound:

It seems that YouTube handles the audio in uploaded videos as mono signals. Folks claim there are ways to get around this but I have not been successful with their instructions. I find that you can improve the quality on the YouTube site but this method does not transfer to embedded video use.

This video suffers a bit because of this. In the original, as you can hear with the above Flash player, the voice over parts are separated in the stereo field. This separation keeps them from masking each other. Here, the separation is not preserved and the listening is more challenging. This is a great example of how some applications of Pop technology can put limits on creative output.

May 01, 2008

White Canvas

This is a video I put together to accompany music by Paul Safar.

February 03, 2008

rule my life

December 29, 2007

Swallow Pond April 2005

December 12, 2007

Meadowlark Prairie 12/04/07